An Experiment in Criticism - eBook

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

“Professor Lewis’ motive is admirable, since he would like all books to have a chance, and he is right to oppose the kind of criticism which regards a work with the air of a suspicious frontier guard examining the passport of an unfriendly alien.” — The Spectator

“Lewis is provocative, tactful, biased, open-minded, old-fashioned, far-seeing, very annoying and very wise. He believes that literature exists for the joy of the reader, and that all who come between the reader and his joy… may kill the very art which they seek to protect.” — The Church Times

“This is a plea for a resolutely low-church attitude to criticism… for those in favour of happiness but distrustful of politics and the elevated disapproving mind, and his book is a charter and a liberation.” — The Tablet